Well, let’s review.
First book, Sweet Dreams, a full length novel and the first book in my Sunset Dreams Series, came to me like lightening. My outline was written longhand in a notebook. The first draft was written by hand over a few days at a coffee house. That’s pen and paper, many a hand cramp, and many more hand cramps when transcribing said first draft into the computer, which of course then became my second draft. Several (more than ten, a few less than one hundred) drafts later and many more hours of self-editing and proofing, the book was born.
With the second book, Angels in Disguise, (in this case, a novella), I was writing within certain parameters and had a theme only: holiday romance, less than twenty-thousand words, bad boy/girl. I started writing the first chapter on my laptop with only NYE in mind. Then the story came to me. I created a very loose outline by hand in a notebook. I wrote the story on my laptop, including the first draft, and I finished the final draft of said novella in a month. My first experience with a professional editor and proofer was an eye-opener. I embraced it. Revised, edited, proofed, and published as part of a holiday anthology with twenty other writers. (Not currently available as a standalone, but will be winter, 2016.)
First book, Sweet Dreams, (you read that right.) I went back and had professionally edited and re-published, happier with the finished product. Lesson here: never, ever publish without a professional editor.
Third Book, Sea Breeze, (in this case, another novella) I created a more concise and professional outline, researched locations in depth. Created inspiration boards. Wrote the first draft on my laptop in about two months. Submitted to my editor for full edit. Revised. Submitted for a second edit. Revised, proofed, and published as a standalone novella.
With my fourth book, Choosing to Dream, a full length novel and the second book in my Sunset Dreams Series, I created character sheets, a timeline, and a scene by scene outline on my laptop. I reread its predecessor several times and created a list of important information to use as frame of reference for book two. I wrote the first half of the first draft by hand in a notebook, then transcribed it into the computer. More hand cramps and cursing of old school writing ensued. I finished the first draft in about four months and allowed it to sit, untouched for a month before starting the first rewrites, all while incorporating the information I learned from my first three experiences with my editor. After several rewrites and self-edits, I submitted to my editor for my first round of editing. I revised. I submitted for the second round of editing. I revised. I submitted for proofing. I proofed two more times myself, and finally I published. This book, by far, had taken the longest to write, but is, by far, the best out of all the books above.
Fifth book and current work in progress, is a full length novel. This book will be the third book in the above mentioned series and is taking me even longer to write than my last. I perfected my outline over three months during which I also spent a lot of time mentally plotting and writing key scenes out by hand in the old notebook. I updated my character sheets, and reread books one and two above to keep it fresh. I’m writing the first draft on my laptop and concurrently writing a chapter by chapter synopsis after each chapter is complete, so I can have an easy access summary of the chapters as they are written to refer back to. I started the first draft in January, meaning I’ve been working on this first draft for about three months, and I’m about 1/3 of the way through the story. I have the entire story plotted out, so there’s no confusion about what comes next. But with all that I’ve learned from book one until now, there’s a lot more to incorporate into my writing. And I’m paying attention. I’m writing slower and taking more care with this story. This is to be a finale of sorts, at least for the main characters of my series, and I want it to be the best it can be. That means making sure my plot and subplots are all hitting the mark. That means making sure the rise and fall of tension keeps the reader engaged. That means really working on crafting the language. I’m putting to use all the tools I now have at my disposal and making this one the best it can be. At least, that’s the plan.
With my sixth book— wait, what? I know. I’ve never worked on two projects at once. I always thought it was impossible and could never understand how other writers were able to do it. However, I now have a second work in progress. It’s a full length novel, and will be the follow up to my first novella, Angels in Disguise (book two mentioned above) and officially the first book of its own series, or the second. Not sure how that works; if the novella becomes book one, once I publish it as a standalone and the first novel is book two, or if the novella is a prequel and the novel is book one. I’ll have to figure that out when I get there. With this story, the scenes came to me like lightening again, just like with my first book. I created a story board and wrote a summary of each scene. This will eventually become my outline. But guess what? I’ve already written the first draft of four of the pivotal scenes, totally isolated and out of chronological order. Crazy right? But the words are flowing like mad. So I will be striking while the iron is hot. I will, of course, go through several rewrites, revel in the guidance and assistance of my editor and her awesome way of making me better, and eventually get it ready for publishing. But this process has been so different from anything I’ve experienced before, I had to write about it.
My goal is to make each book better than the last. So far, I think I’ve succeeded. With each book I’ve written, my process has been slightly different. This newest project is way out in left field. It’s making me question everything I thought I had to do and everything I thought I could never do. Is it me that’s growing, changing, and implementing a different process with each book? Or is it the story itself that drives the way I write? Not sure. I’m having fun figuring it out.
Who’s the boss of your story?
I was born and raised in San Francisco, CA, and have a husband and two children. Music is an addiction. I can often be found in the car, singing along at the top of my lungs to whatever is playing. I work full time, and I split my spare time between family, reading, blogging, and writing. I’m a habitual quoter. Lines from films and TV shows constantly pop into my head—my kids are the only ones that really get it. I’m an only child, and so of course I married a man who is one of ten children. Other than English, I speak Spanish, Moroccan, and a little French. I love to travel, but don’t do enough of it. Reading has been a passion for most of my life and I now love writing. I’m klutz, and in my own mind, I’m hilarious.
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